룽먼 석굴
문화유산Luoyang, China
룽먼 석굴 관람 안내
- 입장권
- ₩19,665
- 등급
- 5A
룽먼 석굴 소개
The Longmen Grottoes are one of China's greatest collections of Buddhist rock art and a UNESCO World Heritage Site, carved into limestone cliffs along the Yi River just outside Luoyang. Work on the grottoes began in the late fifth century and continued for several centuries across multiple dynasties, resulting in thousands of niches and caves containing tens of thousands of Buddhist statues and inscriptions carved directly into the rock face.
The site is divided by the Yi River into the West Hill and East Hill grottoes. The West Hill contains the majority of the site's most celebrated carvings, including work from the Northern Wei and Tang periods, and is generally considered the heart of Longmen's artistic achievement. Its highlights include the Fengxian Temple, home to a monumental seated Buddha figure carved during the Tang dynasty and widely regarded as one of the finest examples of Tang Buddhist sculpture in China, as well as the Guyang Cave, notable for a set of inscriptions long studied by scholars of Chinese calligraphy. The East Hill grottoes, largely dating to the Tang dynasty, offer a quieter counterpart across the river with their own notable carvings.
Visitors should plan for a fair amount of walking, as the site stretches along the riverbank and involves stairs in places to reach some of the higher niches. A visit typically takes at least half a day to see the main highlights on both sides of the river, and mornings tend to be less crowded, particularly outside peak travel seasons. Sturdy footwear is recommended given the outdoor, hillside terrain.
As the single most famous attraction in Luoyang, the Longmen Grottoes are typically the centerpiece of any visit to the city, and their riverside setting makes for a scenic half-day or full-day outing that pairs naturally with other historic sites in the area.
문화유산
The Longmen Grottoes line the cliffs of Longmen and Xiangshan along both banks of the Yi River south of Luoyang. Carving began around the Northern Wei's move of its capital to Luoyang and continued through the Eastern and Western Wei, Northern Qi, Sui, Tang and Song — over four centuries of large-scale work. More than 2,300 niches, 100,000 statues and 2,800 inscribed records survive, crowned by the majestic Vairocana Buddha of the Tang-era Fengxian Temple. A summit of Chinese stone art, inscribed as World Heritage in 2000, it distills the spirit of Buddhist art and imperial image-making from the Northern Wei to the high Tang.
관람 안내: Walking the riverside galleries along the Yi, visitors look up at niche after niche carved into the cliffs — from the spare, refined figures of the Northern Wei to the full, stately images of the high Tang — reading centuries of Buddhist art across the rock face; and at Fengxian Temple, gazing up at the 17-metre Vairocana Buddha, one feels most keenly the grandeur of high-Tang stone art and a stillness that reaches across a thousand years.
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