Shadow Puppetry (Jinan Shadow Play)

国家級無形文化遺産 · 第2次選定
起源

Jinan shadow play belongs to the Shandong tradition, brought to the city from Zoucheng around 1915 by the artist Li Ke'ao and developed across generations by Li Fuzeng, Li Xingtang, Li Xingshi and others into a style of its own.

芸能の形態

Figures are cut from donkey hide; behind the screen a performer manipulates the puppets while also singing, speaking and playing the percussion. A master can work the puppets, beat several instruments and voice all the parts single-handed.

文化的意義

Combining folk art, ballad-singing and performance, its repertoire reflects everyday city life, making it an important window onto Jinan folk custom — and one that keeps reinventing itself to reach younger audiences.

Shadow Puppetry (Jinan Shadow Play) — China Intangible Cultural Heritage · 1000usdinchina